One of the golden voices of Hindi filmdom, Mohammed Rafi was definitely one of the greatest contemporary singers to have taken birth in India. Retrieved 3 March 2019.Mohammed Rafi was born on Decemin Amritsar, Punjab, India, Indian. ^ "Binaca Geetmala Annual List for Year 1976 - Lyrics and Video of Hindi Film Songs".^ "Binaca Geetmala Annual List for Year 1965 - Lyrics and Video of Hindi Film Songs".^ "Binaca Geetmala Annual List for Year 1962 - Lyrics and Video of Hindi Film Songs".^ "Binaca Geetmala Annual List for Year 1960 - Lyrics and Video of Hindi Film Songs".^ "Binaca Geetmala Annual List for Year 1954 - Lyrics and Video of Hindi Film Songs".CS1 maint: archived copy as title ( link), accessed online on 29 July 2006 Archived from the original on 5 September 2005. Screen, Friday, 22 September 2000, transcript available online at "Archived copy". Archived from the original on 22 August 2006. Archived from the original on 3 March 2006. Archived from the original on 24 March 2004. Television and popular culture in India: a study of the Mahabharat. ^ "Comeback for radio countdown show".Archived from the original on 26 April 2006. Transcript available online at "Archived copy". The Financial Express (India), Sunday, 11 March 2001. Between the songs on the volume set, there is commentary by Ameen Sayani. Volume 1 has songs from 1953 to 1964 volume 2 has songs from 1965 to 1977. The top songs from 1953 to 1977 were compiled and released in a two record volume set. Many well known composers, poets, and singers attended the show. On 12 December 1977, Binaca Geetmala celebrated its 25-year anniversary in a social gathering organized in Bombay. Husn haazir hai mohabbat ki sazaa paane koĪnkhiyon ke jharokhon se, mainen dekha jo Kabhi kabhi mere dil mein khayaal aataa hai Lata Mangeshkar, Mukesh, Jaani Babu Qawwal, Narendra Mera jeewan koraa kaagaz koraa hi rah gayaīaaki kuchh bacha to mahangaai maar gayee Kaise rahoon chup ki meine pee hi kya hai Mere Man ki Ganga aur tere man ki Jamuna kaīaharon phool barsao mera mehboob aaya hai Zindagi Bhar Nai Bhoolegi Wo Barsaat Ki Raat Between 19 there would sometimes be no points on the weekly broadcast, but the year-end show would be based on point system. The year-end lists were compiled based on points earned by songs through the year. The clubs were formed because it was possible for a record to be sold out at stores and although there was interest to buy more, the interest would not show up in record sales. Each week, the shrota-sanghs would send the radio station their list of popular songs. Popularity was gauged by record sales, verdicts from record store owners, and popularity among the shrota-sanghs or 'listeners clubs'. The songs were initially ranked by a combination of the number of records sold in India and listener votes. Later, the program started ranking the most popular Hindi film songs. Popularity ratings method Īt its onset in 1952, the program did not rank songs, but rather played seven contemporary songs in no particular order. After 1998, the show aired on Vividh Bharati and was on for half an hour on Monday nights. It greatly increased the popularity of Radio Ceylon, making it the primary source of popular film music on radio for the Indian subcontinent.
It was very popular in India, with estimated listenership ranging from 900,000 to 2,000,000. The show was hosted throughout its entire run by Ameen Sayani.